This series was born out of necessity: to go beyond the visible and reach the very essence of form.

After forty years of painting — landscapes, libraries, studios, lyrical abstractions — I felt compelled to push my pictorial language to its most rigorous limit. To reduce. To distill. To keep only what endures.

The Geometric Series does not turn its back on my other bodies of work — it is their distillation. The horizontal layers of my landscapes became color planes. The vertical rhythms of my libraries became bars and columns. The human figure, long suggested, fragmented into arches, half-circles and interlocking volumes — present without being named.

Sixteen paintings form this body of work, united by a constant vocabulary: the dialogue between angular precision and the softness of curves, between the density of deep blacks and the warmth of ochres, siennas and olive greens. A palette that is at once muted and alive, born from matter and time.

From Topographie du rêve, the founding painting still close to pure intuition, to Formes en suspens, the most assured and luminous of the series, these works trace a journey — from silence toward form, from form toward freedom.